From “Vision of Peace” to “Spoonbridge and Cherry” on the Green Line in the Twin Cities

VisionofPeace2During my latest visit to Minnesota, I jumped on the Green Line, the splendid, new street car line in the Twin Cities, that ties together Saint Paul and Minneapolis.

It cost me 75 cents, a real bargain, for an almost hour-long trip from behind the splendid Saint Paul train depot to Target Field, Minneapolis baseball stadium. At both ends, as I continued my search for Minnesota’s Scandinavian legacy, I found two remarkable pieces of art, both made by Swedish immigrants, which have become iconic symbols of each city.

In Saint Paul’s City Hall and Ramsey County Courthouse’s Memorial Hall stands Carl Milles’s “Vision of Peace.” Unveiled in 1936, it drew on a Native American ceremony that Milles, who was born in Sweden but spent most of his adult life in America before he returned and, in 1955, died in Sweden, had once witnessed in Oklahoma. Milles originally called it the “Indian God of Peace,” but it was renamed “Vision of Peace” at a special ceremony in 1994 involving the major Minnesota Native American tribes. It’s made of white Mexican onyx, is 36 feet tall, and weighs 60 tons. It fills the hall and is truly magnificent.Green Line

At the other end of the line, after an enjoyable, albeit a bit slow, ride past the State Capitol and along eclectic University Boulevard with auto dealers, supermarkets, the excellent Midway Used Bookstore, Thai and Vietnamese restaurants, the Finn/Sisu store for cross country skis, and everything else you might want to find, the street car meanders through the University of Minnesota campus, over the Mississippi River and past the quickly rising Minnesota Vikings football stadium, into downtown Minneapolis and its “Spoonbridge and Cherry” by Claes Oldenburg and his Dutch born wife  Coosje van Bruggen. The sculpture is located in the Minneapolis Sculpture Garden next to the Walker Art Center and it is just as fun to see in winter as in summer.

SpoonandCherryOldenburg came to America as a young boy and grew up in Chicago, where his father was Sweden’s consul general. He and his wife, who died in 2009, created the “Spoonbridge and Cherry” in the mid-1980s.

Like Milles’s “Vision of Peace” in Saint Paul, it dominates the surroundings as it lies there right in the middle of the Sculpture Garden with the Minneapolis skyline in the distance. And like with Milles, Oldenburg’s work of art has become a icon in the Twin Cities and it is, of course, yet another example of Minnesota’s Scandinavian connection.

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“Welcome to Sweden:” Oj, oj, oj…that was really embarrassing!

“Oj, oj, oj,” as the Swedes say…oh, boy! That was embarrassing. No, it was more than embarrassing, it was really, really bad.

I am talking about the new TV-series “Welcome to Sweden” that premiered last night on NBC. I knew nothing about it beforehand, and I didn’t know that it had been produced by Swedish television channel TV4, and then bought by NBC.  Shame on TV4 for taking the easy way out and playing on all the clichés about Sweden and Swedes: stupid accents, drunkenness and drinking songs, naked men in the sauna.

It was all supposed to be funny, and intelligently joking about nations and people and their traditions is certainly fair game, and can be funny. But “Welcome to Sweden” was not funny, not at all. I suppose it could have been if the acting had been good. But it was atrocious, and it was especially sad to see splendid actress Lena Olin lending herself to this superficial spectacle,  which, on top of everything, was brutally interrupted time and time again by commercials during its 30 minutes.

I haven’t read any reviews by the Swedish media when it premiered there in March. Maybe they liked it, and maybe I have missed something? No, come to think of it, I don’t think I have. I just hope that the coming segments will prove to be better than this disastrous start.

The Minnesota Orchestra’s silence is not the Minnesota Way

As Finnish music director Osmo Vänskä leads the Minnesota Orchestra in three extra farewell concerts this weekend in Minneapolis, emotions ran high. The man who in ten years has made the orchestra a top orchestra resigned after a year-long conflict between the Board and the Orchestra with no music, only silence, as the result.

Here in Washington, DC, in these days of government shutdown, there is much talk of public trust, or lack of public trust in the government and in Congress. The public trusts the government to stay open, and, in Minnesota, the public trusts the orchestra to play. But the Minnesota Orchestra has not played for a year in a dispute over budget and salaries.

Many of you who read this blog may have noticed that I have been going to Minnesota quite a bit lately, looking for that state’s Scandinavian legacy, stemming from its hundreds of thousands of immigrants from Northern Europe. And I have found plenty of that legacy in its political leaders’ and its inhabitants’ pragmatism, common sense, civic spirit, willingness to compromise, and sense of responsibility to the public. That political legacy has been firmly established for decades, “part of Minnesota’s earth,” as one scholar put it.

But the Minnesota Orchestra’s silence shatters that picture. Minnesota’s former Republican Swedish-American Governor Arne Carlson – the epitome of Scandinavian pragmatism when he was governor — seems to have realized that. On his blog, he pleads for action — from the political leaders, from the whole community — writing that we cannot stand by “while our own world class symphony orchestra disintegrates.”

I understand that times are tough for the Minnesota Orchestra. But the whole issue seems to have been badly handled — not negotiating for months, locking out the musicians, witnessing one orchestra member after the other resigning and leaving a newly renovated Concert Hall empty and silent.

That year-long silence, just like the government shutdown in Washington, DC, is failing the public trust, and, I dare say, that’s not the Minnesota way – “the state that works!”

In continued search of Minnesota’s Scandinavian legacy…

June is a good month for my continued search https://klasbergman.com/2013/03/20/in-search-of-minnesotas-scandinavian-legacy/ for the Scandinavian legacy in Minnesota… Maypole goes up at ASI …from the Danish Day at the Danish-American Center on the banks of the Mississippi, to the Scandinavian Folk Music Festival in little Nisswa up north where musicians from all of Scandinavia had gathered to play, to Midsommer celebration and the hoisting of Maypoles everywhere, at the American-Swedish Institute (ASI) in Minneapolis, at the Gammelgården Museum in Skandia, at nearby Lindstrom’s Nya Duvemåla, the replica of Karl Oskar’s and Kristina’s home from Vilhelm Moberg’s epic about the first Swedish immigrants to this uncannily Swedish landscape around the Chisago Lakes some miles north of the Twin Cities, and at Svenskarnas Dag, Minnesota’s classic Swedish heritage day, which this year was the 80th time that it was celebrated in Minneapolis’s Minnehaha Park.

National costumes and traditional fiddle music everywhere.  Fiddlers Paul Dahlin and his son Daniel, third and fourth generation Swedes, play their grandfather’s and great grandfather’s music from Rättvik at Lake Siljan as well as anyone, and, for someone like me, who spent every summer as a boy in Rättvik, tunes like Gärdebylåten and Gånglåt från Mockfjärd brought, if not tears to my eyes, strong memories…

There was traditional choir song by the ASI Male Chorus and the ASI Cloudberries, Svenskarnas Dag Girls’ Choir, and Flickorna Fem; Vasa Jr. Folk Dancers danced to old tunes,  and the national anthems, both Swedish and American, were part of the celebration, although most of crowd needed a printout of the text of their old anthem, while they belted out their new one, by heart.

And everywhere are those for whom the Swedish heritage seems to mean something special, spurring them to volunteering and action.

At Gammelgården in Skandia, the director Lynn Blomstrand Moratzka has helped built up quite an outdoor museum next to the Elim Lutheran Church’s Cemetery, where the names on the grave stones are Carlson, Mattson, Olson, Anderson, Edstrom, Lindgren, Holm, Peterson, Spjut, and on and on.

Girls's Choir at SkandiaAlice and John Mortenson at Nya Duvemåla

What would Nya Duvemåla be without John and Alice Mortenson, two eighty-year-olds, whose ancestors came over from Skåne and Värmland, and who now lovingly tend to the old homestead on Glader Boulevard with Glader Cemetery close by. It was established in 1855 as the first Lutheran cemetery in Minnesota and is the final resting place for Vilhelm Moberg’s fictional Karl Oskar and Kristina.

Or, for that matter, what would Svenskarnas Dag today be without Ted Noble and Dan Nelson, chair and vice chair for the big day that once drew tens of thousands to Minnehaha Park but now draws a considerably smaller, but no less, enthusiastic crowd. We are looking for a younger generation to take over to keep the legacy alive, but it’s not easy to find, says Ted Noble.

In search of Minnesota’s Scandinavian legacy…

Swedish writer and feminist activist Fredrika Bremer once wrote way back in the 1850s, “what a glorious new Scandinavia might not Minnesota become.”  Minnesota did become that new Scandinavia, with hundreds of thousands of Norwegian, Swedish, Finnish, Danish, and Icelandic immigrants settling here during many decades, up until 1930.

Still today, 32 percent of Minnesota’s 5.4 million inhabitants are of Scandinavian, or Nordic, descent, an important part of Minnesota’s legacy and an important part of modern Minnesota.

It’s still winter in the Upper Midwest, just south of the Canadian border, as I noticed during a recent visit, with piles of  graying snow along the roads and icy sidewalks. The air bites, and as in my boyhood’s Stockholm by this time of the year, everyone longs for spring.

The Twin Cities — Minneapolis and St Paul – do not look much like Stockholm between Lake Mälaren and the Baltic Sea, although the Mississippi River meanders impressively through the two cities. The prominent New York City restaurant “Aquavit” opened here a decade or so ago, but had to close a few years later. Last year, “The Bachelor Farmer” opened and, according to the New York Times, “has given Scandinavian food a much needed adrenaline shot.”

It’s a nice, modern, friendly place, and difficult to get a table. It seems that Minnesotans like what  they serve, although I couldn’t find much that resembled traditional Swedish cuisine, like gravlax, herring, meatballs, or even the wonderful Västerbotten cheese.

American Swedish InstituteFor that, one has to go to “Fika” — the modern restaurant in the American Swedish Institute’s (ASI) splendid new wing, the Nelson Cultural Center, which opened last year. It sits next to the classic mansion that Swedish newspaper publisher Swan Turnblad donated in 1929 and what eventually became the American Swedish Institute.

What a sight it now is, dominating Park Avenue in the middle of Minneapolis!  None of the other Nordics have anything similar, and ASI director Bruce Karstadt is rightly proud and excited about his institute’s future.

In the search for Minnesota’s Scandinavian legacy, Scandinavian Studies programs are alive and well at several universities like Gustavus Adolphus College in St. Peter, St. Olaf College in Northfield, and the gigantic University of Minnesota in the middle of the Twin Cities. Swedish language classes seem to thrive and the students’ knowledge of Swedish was impressive.

But maybe the most impressive proof of Minnesota’s Scandinavian heritage one finds at the gorgeous State Capitol in St Paul, designed by the prominent architect Cass Gilbert. The front of the Capitol is dominated by three statues of former governors, Knute Nelson, born in Norway, Swedish-American John A. Johnson, and Floyd B. Olson (photo), the legendary Norwegian/Swedish-American, who led Minnesota during the Depression, but who died young, just as he was about to achieve national prominence.Floyd B. Olson

And inside, the halls of the Capitol are filled with the portraits of previous governors —  John Lind and Adolph O. Eberhart, both born in Sweden, and of a long series of Norwegian-, Swedish-, and Danish-Americans by the name of Anderson, Andersen, Benson, Burnquist, Christianson, Rolvaag, Petersen,  and Arne Carlson — between 1991 and 1999.

After Carlson, Minnesota has been led by Jesse Ventura, Tim Pawlenty, and, now, Mark Dayton – none of them Scandinavians.  An end of an era, or?

Yes, I believe it’s now time to talk about a turning point

Home again in Washington, DC after two weeks in the Nordic countries, Sweden, Denmark and Iceland, primarily to participate in the publication on September 20 of my book “Amerika – drömmarnas land” (America – country of dreams) in Stockholm.

Nice book release party at the Dance Museum in Stockholm with many old friends, a book discussion at the ABF educational association with journalist colleague Stig Fredrikson, a lengthy interview on the Knowledge Channel about the book. The American election campaign is the center of attention in the Swedish newspapers and on radio and television. The coverage is amazingly extensive.

On the way back home, a short visit with good friends in Reykjavik and a lunch seminar at the Icelandic Foreign Ministry about my book and the U.S. elections. Lively and fun!

The return home came just in time for today’s big event, the first of three televised debates between President Barack Obama and his Republican challenger Mitt Romney. But before that, I will also head to the ballpark to cheer on my Washington Nationals on the last day of the regular season for winning the National League Eastern Division and for taking the local baseball team to the playoffs for the first time since 1933!

Tonight then, in Denver, Colorado? I remember the first TV debate ever, in the autumn of 1960, between John F. Kennedy and Richard Nixon, shortly after I arrived in the U.S. for the first time. JFK won the debate and he won the election, albeit with the slimmest of margins. Ever since then, the importance of these debates has been discussed. The conclusion? Not unanimous. Sometimes, as in 1980 when Ronald Reagan faced Jimmy Carter, Reagan came out on top and then won the election. Sometimes, as in 2004, John Kerry won dthe debate but George W. Bush the election. And last time, in 2008, the debate winner, Barack Obama, also won the election.

The Washington Post summarizes the situation ahead of tonight’s debate.

A few weeks ago, I wrote on this blog that something had happened after the two party conventions but that I did not want to call it a turning point in the campaign. Since then, the situation for Mitt Romney through a series of mistakes, especially his talk about America’s “47 percent,” has steadily weakened. And now the conclusion is inescapable: we have reached a turning point. Obama has strengthened his position on a wide front and time is running out for Romney.

To reverse this trend, Romney tonight needs not just to have a major breakthrough, but he also needs a major mistake, a major gaffe, by Obama. That is unlikely to happen.

Oh, how I wish I had gone to The Last Book Sale

I was thinking of going, but, somehow, it didn’t work out, and now, reading Larry McMurtry’s own account in the New York Review of Books of The Last Book Sale at his store Booked Up Inc. in his home town Archer City, Texas, out there northwest of Dallas/Fort Worth and south of Wichita Falls, I realize how much I would have loved to have gone.

300,000 out of McMurtry’s 400,000 books were on sale on that hot recent August weekend. The 200 bidders came from the all over the country, from Oregon, Wisconsin, Tampa, San Francisco, Natchez, Austin, and Magnolia, Arkansas. Most of the books sold, except the fiction, McMurtry, eminent author but also eminent book dealer, writes.

Readers of this blog know how much I like the old book stores, and that I have found many wonderful such stores all around America. But I have never been to Booked Up in Archer City, Texas, and this was the time to go. Or maybe there is a next time?

“Cooking Like a Viking”

Great headline in my New York Times this morning, but, for some reason, the article is called “A Return to Nordic Roots” on the paper’s website.

In any case, good Swedish food is not easy to find in America — and, believe me, it’s a lot more than meatballs and pancakes — so the new wave of Swedish restaurants in the Twin Cities in Minnesota, where almost ten percent of the population has Swedish ancestry — is exciting. Got to go and try them out!

“There is a guy called Mitt Romney…”

I know Mitt Romney’s disastrous start on his European trip is already all over the Internet, but it won’t go away, and I can’t resist showing it, too. I just love the way London mayor Boris Johnson says, “there is a guy called Mitt Romney…”

And, of course, the Democrats could not sit idly by. Romney’s bumbling was just too good to be true, so here is a spot released by the National Democratic Committee!

Now, on to Israel and Poland — I can’t wait!

An architectural treasure in smalltown Indiana

On our way recently by car to Chicago, through West Virginia and Kentucky, our destination was the little town of Columbus in southern Indiana, on the flat farmland between Indianapolis and Louisville, Kentucky.

Now, I usually stay away from the word “unique.” It is overused and few things are really unique. But the town of Columbus, Indiana is unique. With only 44,000 inhabitants it has become an architectural treasure. Six of Columbus’ modernist buildings have been declared National Historic Landmarks and little Columbus ranks sixth in America after the big cities of Chicago, New York City, San Francisco, Boston, and Washington DC as a premier architectural destination.

It all started when the Finnish architect Eliel Saarinen’s First Christian Church opened during World War II. A bank and the stunning North Christian Church by his son Eero Saarinen followed, by then thanks to local engine maker Cummins Inc. and the vision of its CEO J. Irwin Miller and his new Cummins Foundation. Miller, born and raised in Columbus, clearly valued good architecture and good art and saw its importance to the quality of life of his home town, for his Foundation offered to pay the architects’ fees, first for the schools and then for any new public building in town.

Many a leading architect heard the call: I.M. Pei, Gunnar Birkerts, Robert Venturi, Harry Weese, Cesar Pelli, Kevin Roche, Richard Meier, Robert Stern. Their work, office buildings, schools, fire stations, can be found all over town.

The Commons, designed in 2011 by Koetter Kim & Associates, with its gigantic climbing tree, is what must be one of the great indoor children’s playgrounds in any downtown.

The global headquarters of Cummins Inc. was designed by Kevin Roche and houses an engine museum with a stunning garden, created by landscape architect Jack Curtis. J. Irwin Miller lived until he died in in 2004 in a home designed by Eero Saarinen in 1957, with Alexander Girard’s interior design and Dan Kiley as landscape architect — all legends in American architecture.

Columbus is also the scene of great public art. Outside Pei’s library stands Henry Moore’s “Large Arch,” in front of The Commons is Bernar Venet’s red “2 Arcs de 212.5°,” in front of the splendid modern offices of the local newspaper The Republic, designed by Myron Goldsmith is “Birds of Fire” by Ted Sitting Crow Garner, and Dale Chihuly’s magnificent “Yellow Neon Chandelier and Persians” hangs in the Visitor Center.

It just goes on and on. Go there! There is nothing like it in all America.